Tools of the Trade  

 

 

 

2009

January 13 with
Cal Scott
Yoshi's - San Francisco, California
February 6 with
Cal Scott
Painted Sky Studios - Cambria, California
February 7 with
Cal Scott
Center for the Arts - Nevada City, California
February 8 with
Cal Scott
Don Quixote's - Felton, California
March 15 with
Cal Scott
Dundee Presbyterian Church - Omaha, NE
March 17 with Cal Scott St. Patrick's Day Festival - Austin, Texas
March 25 with Cal Scott West Linn Public Library - West Linn, Oregon
Free one hour concert 6:30 pm
April 17 with
Cal Scott
McGonigel's Mucky Duck - Houston, TX
April 17 with
Cal Scott
McGonigel's Mucky Duck - Houston, TX
April 18,19

with
Cal Scott

Houston International Festival - Houston, TX
April 22

with
Cal Scott

Fiddler's Green Music Shop - Austin, TX
Fiddle and Guitar workshops and Concert
April 23

with
Cal Scott

Uncle Calvin's - Dallas, TX
April 24

with
Cal Scott

House Concert - San Antonio, TX
April 25, 26

with
Cal Scott
Tom Creegan

Houston International Festival - Houston, TX
May 22

with
Cal Scott

Juan de Fuca Festival - Port Angeles, WA
May 23

with
Cal Scott

Northwest Folklife Festival - Seattle, WA
June 22 - 26 Solo
Mark O'Connor Fiddle Camp - Burns, TN
June 29 - July 3 Solo
The Sabir Sisters Fiddle Camp -Abbotsford, B.C.
July 12 -18 Solo
Swannanoa Gathering - Asheville, NC
August 31 with
Patrick Street
Shrewsbury Folk Festival - Shrewsbury, England
September 11 with
Cal Scott
TBA -Roseburg, OR
September 12 with
Cal Scott
Trinity Alps Performing Arts Center -Weaverville, CA
September 25 with
Cal Scott
The Shedd Institute - Eugene, OR
September 27 with
Cal Scott
The Mint -The Dalles, OR
October 11 with
Cal Scott
Fiddlers! 16 - Roxsbury, NY
October 12 with
Cal Scott
TBA - Randolph, VT
November 6 with
Cal Scott
Old Church - Portland, OR
November 18 with
Cal Scott
Spokane, WA

 

BOOKING AGENCY INFORMATION
 

 

Archives....

 

"Kevin Burke plays the fiddle so smoothly, with such buoyancy, and with such relaxed showmanship, that even a large concert hall becomes intimate."
- The New Yorker